Reminds me of an all-night session while I was at KGB-San Diego in 1972. “Mr. Pipes,” Michael C. Gwynne, and I were stonily speculating about things, specifically radio. I said, not for the first time, that one major head hassle with the medium that bothered me was that once one’s jock shift was over, there was nothing to show for it. Gwynne is both a gifted announcer and also a fine actor. Plus, the man is a suave big band jazz music man, a drummer mostly. He and I were employed in the 1960s by the company that owned KPOI-Honolulu and a few stations in Southern California. Through a series of circumstances that are bizarre albeit nonfiction, Gwynne worked in Honolulu as a "Poi Boy."
Mike first encontered Frank Terry at KMAK-Fresno. Terry’s infamous KMEN-San Bernardino "Drum-A-Thon" inspired KPOI PD Tom Rounds to stage one here in the islands with Gwynne on the sticks. And shticks. Both drew huge ratings. Ah yes, before I made it to Hollywood and KHJ in 1965. More than anyone knows our “Circus Radio” (as Art Laboe called our KPOI on-air shenanigans when he first visited KPOI in 1959).
Back to Mike and me in La Jolla in ’72 and our brain-wired rap. I bitched about radio’s SDS (Simultaneous Disappearance Syndrome.) He said, mellifluously, “Well let me tell you something, Ronny boy.” He told me of radio astrolnomers at the London Royal Observatory, who back in the 1950s were doing round the clock surveys of all they could see and logging that results. About three in the morning the scientists saw and logged something unseen for the record. Several days later during follow up on the records, it was discovered that the “thing” they saw was actually a radio station in Texas… which had signed off ten years earlier.
Hmm, spooky and “chicken skin” (Hawaii slang for “goose pimples.”) Anyone who ever performed on radio should contemplate the physics and universalpuzzlement over this tale told me in all honesty some 40 years or so before,
Ever since that San Diego flash I always think about permanence vis-a-vis. flashes in the pan. Now, with some of my work is in the Bishop Museum and the Library of Hawaii are preserved for the ages wthin thick cement and lava rock structures. If you get high on a whiff of new ink on a printed page might relate to this sensory sensation.
In 2002, when I was asked 93.000 times to publish my KHJ jock memos, meticulously saved by Carol Williams, wife of Boss Radio’s first all-night man, jovial Johnny Williams. Carol sent them to me in the 1970s when Johnny was at WTAE-Pittsburgh. I had them bound in a leather volume and everyone wanted a peek at “how we did” 93/KHJ during my term as PD, 1965-69. After loaning this volume to a trusted friends, the material became the nucleus of “KHJ: Inside Boss Radio.” When I backed away from radio in the 1980s I became a free lance writer with over 300 pieces published in various magazines here and on the Mainland. The KHJ book, even at $93 for 455-pages it resulted in a second edition, published by Mr. Magic, San Berdoo’s own Don McCoy. Now out of print the boss book sometimes shows up on eBay.
So, what I have been “saying” in twelve-hundred WORDS is: My book is back and my girl friend’s got it. (See: The Angels, 1963.) And now it is ready for you, a perfect Christmas gift or keepsake for future generations when we are alll gone, Obama included. Nice ending, good karma, after two years of anguish for me. We are now delivering copies arond Honolulu for the huge Obama-hosted APEC Convention (esimated 20,000 coming) starting November 10, 2011, at the Honolulu International Convention Center so please allow one week for delivery. And remember, radio’s past, but OBAMALAND will last.
Warmest regards from Kaneohe, Oahu, Hawaii …currently 77-degrees. Below: your "best-selling author" in action at the Kamehameha Swap Meet last Sunday. Retail, on da street is where it's at! Just ask The Big Kahuna.
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