I first heard of Willie Nelson in 1957, I think it was. We played a record on
KHVH that first made me realize that maybe I wasn't bulletproof. a common idea for 19-year-old kids then, in
pre-Bush Insane Iraq times. The song was Jesse
Belvin's version of Nelson's "Funny How Time Slips Away." I don't drink, never had been in a saloon, or east of
Hilo, but whenever I played the record I turned it up. And I was
transformed into a world-weary mournful cowpoke or lonely trucker who heard life's
essential truth in Willie Nelson's words.
"Funny" how his songs ring even more true a half-century later, when we and the world have added so much mileage, the
frequent flyer soulful kind.
Five years later, in another radio booth, not in a Waikiki penthouse, but in a Fresno warehouse-turned-radio station, I met the man who became the great inspiration (and often frustration)
of my professional life. We'd sit at night with fellow radio
rookie Frank Terry and dream of being discovered and making it to
Hollywood. That is if anyone would risk riding north on the hellish
Grapevine, through Buck Owens' country (he owned a Hillbilly station in
Bakersfield) and into Fresno, then as bush league as it got.
Morgan's talent and ambition propelled him up the classic radio route to the big leagues,
arriving fresh from
Monterrey, where he was in the Army and worked at
KMBY. Sunny Jim price
demanded I listen to
RWM's aircheck and he was
instantly hired as a "
KMAKer" And just as fast he was off to Sacramento, and then San
Francisco and then Los Angeles, hired by
RKO consultant Bill Drake to be the
lead off batter for the new rock
format coming to that
slumbering pioneer broadcast legend,
KHJ.
I had come directly from
Halawa Jail to
Melrose Avenue in a two-week span (indeed,
another story for another time) and suddenly Morgan and I were in a California
Dream come true. Funny how those good times slipped away. We went our separate ways, through places and people, wives and kids, gigs and glory, ups and down, but
always a
phone call away from
instant messaging our in-
synch psyches, ready to resume epic,
Talmudic arguments just to keep in practice.
Long distance Zen warfare, dissing random people and issues,
always planning his trip to Hawaii, the one he never took.
I gotta go now I guess I'll see you around Don't know when though, never know when I'll be back in town But remember what I tell you in time you're gonna pay And it's surprising how time slips away
Longer gaps grew between phone calls. On the mainland, people were worried, I could tell. Morgan battled on; his hero was Jimmy Brown of the Cleveland Browns, Hall of
Famer in his league. They threw Morgan one last party. Secretly, I was relieved to be an ocean away. I do my
crying in private. And then he died.
Both of us got away with boss, macho public veneers. We hadn't been in L.A. but a few months when one night,
after the Clay-
Liston fight, we went to
Martoni's, Hollywood's hot rock
biz spot back then. Two jocks from
KRLA (also known as "The Target") slipped into our booth to shoot the breeze and welcome us to L.A. radio. Within thirty seconds they were facing the Jacobs-Morgan Raging Bull tag
time, having been invited to take it out on the street.
Both Morgan and I have done many things. I'm the one left having to learn this technology. Sure, we were into perfection, preparation, concentration, moderation and the other
precepts from the Boss Bible. But our greatest joy -- better than any drugs, sex or
rock'n'roll -- was to kick the holy shit out of
anyone who tried to
beat us at our game.
My first ex-wife, who rode the roller coaster from
Honolulu to
Hong Kong to the Hoosegow to
Hollywood thinks I'm a sentimental moosh. But she don't own a computer to be offended and I must share some other folks' memories of brother Bob. Just click on the
ROBERT W. MORGAN link at the right.
And if you find that Jesse Belvin record, give it a spin.